In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, “Blue Horses” asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.
A searing new collection from one of our country’s most important poets.
Typically cryptic, God said three weasels
slipping electric over the rocks
one current conducting them up the tree
by the river in the woods of the country
into which I walked
away and away and away
Once in the West, Christian Wiman’s fourth collection of poetry, is as intense and intimate as poetry gets – from the “suffering of primal silence” that it plumbs to the “rockshriek of joy” that it achieves and enables. Readers of Wiman’s earlier books will recognize the sharp characterization and humor – “From her I learned the earthworm’s exemplary open-mindedness, / its engine of discriminate shit” – as well as his particular brand of reverent rage: “Lord if I implore you please just please leave me alone / is that a prayer that’s every instant answered?” But there is something new here, too: moving love poems to Wiman’s wife, tender glimpses of the poet’s children, and, amid the onslaughts of illness and fear and failures, “a trace / of peace.”
By Allan Wolf
Arrogance and innocence, hubris and hope – twenty-four haunting voices of the Titanic tragedy, as well as the iceberg itself, are evoked in a stunning tour de force.
Millionaire John Jacob Astor hopes to bring home his pregnant teen bride with a minimum of media scandal. A beautiful Lebanese refugee, on her way to family in Florida, discovers the first stirrings of love. And an ancient iceberg glides south, anticipating its fateful encounter. The voices in this remarkable re-creation of the Titanic disaster span classes and stations, from Margaret (“the unsinkable Molly”) Brown to the captain who went down with his ship; from the lookout and wireless men to a young boy in search of dragons and a gambler in search of marks. Slipping in telegraphs, undertaker’s reports, and other records, poet Allan Wolf offers a breathtaking, intimate glimpse at the lives behind the tragedy, told with clear-eyed compassion and astounding emotional power.
Faster Than Light: New and Selected Poems, 1996-2011 by Marilyn Nelson, Connecticut poet and UConn professor
Conjuring numerous voices and characters across oceans and centuries, Faster Than Light explores widely disparate experiences through the lens of traditional poetic forms. This volume contains a selection of Marilyn Nelson’s new and uncollected poems as well as work from each of her lyric histories of eighteenth-, nineteenth-, and twentieth-century African-American individuals and communities, and The Cachoeira Tales, a long riff on Chaucer’s Canterbury Tales. Poems include the stories of historical figures like Emmett Till, the fourteen-year-old boy lynched in 1955, and the inhabitants of Seneca Village, an African American community razed in 1857 for the creation of Central Park. Bivouac in a Storm tells the story of a group of young soldiers, later to become known as the Tuskegee Airmen, as they trained near Biloxi, Mississippi, “marching in summer heat / thick as blackstrap molasses, under trees / haunted by whippings.” Later pieces range from the poet’s travels in Africa, Europe, and Polynesia, to poems written in collaboration with Father Jacques de Foiard Brown, a former Benedictine monk who becomes the subject of Nelson’s playful fictional fantasy sequence, Adventure-Monk! Both personal and historical, these poems are grounded in quotidian detail but reach toward spiritual and moral truths.
By Langston Hughes, illustrated by Bryan Collier
The poetic wisdom of Langston Hughes merges with visionary illustrations from Bryan Collier in this inspirational picture book that carries the promise of equality.
“I, too, sing America.
I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.”
Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem “I, Too,” creating a breathtaking reminder to all Americans that we are united despite our differences.
Recently named the 2013 winner of the Coretta Scott King Award for illustration!
By Gail Carson Levine
This Is Just to Say
If you’re looking for a nice happy book
put this one down and run away quickly
Forgive me sweetness and good cheer are boring
Inspired by William Carlos Williams’s famous poem “This Is Just to Say,” Newbery Honor author Gail Carson Levine delivers a wickedly funny collection of her own false apology poems, imagining how tricksters really feel about the mischief they make. Matthew Cordell’s clever and playful line art lightheartedly captures the spirit of the poetry. This is the perfect book for anyone who’s ever apologized…and not really meant it.
Maria is the younger daughter of an esteemed family on the island of Murano, the traditional home for Venetian glassmakers. Though she longs to be a glassblower herself, glassblowing is not for daughters–that is her brother’s work. Maria has only one duty to perform for her family: before her father died, he insisted that she be married into the nobility, even though her older sister, Giovanna, should rightfully have that role. Not only is Giovanna older, she’s prettier, more graceful, and everyone loves her.
Maria would like nothing more than to allow her beautiful sister, who is far more able and willing to attract a noble husband, to take over this role for her. But they cannot circumvent their father’s wishes. And when a new young glassblower arrives to help the family business and Maria finds herself drawn to him, the web of conflicting emotions grows even more tangled.